By Mike Mahan
Born through the nice melancholy, Mike Mahan was once in lots of methods a really fortunate boy. His mom and dad, a barber and a beautician, owned their very own store and residential, constantly delivering considerable meals, garments, and heat. No Hill Too excessive for a Stepper isn't really, then, the standard tale of monetary or relations fight, yet particularly a party of existence in Montevallo, Alabama, in the course of the thirties, forties, and fifties. It paints first-class photographs of surprisingly supportive mom and dad in addition to of different relatives and townspeople, making a distinctive feel of small-town existence in this interval. on the center of this ebook is an soaking up depiction of an irrepressible baby and adolescent who approached all of lifestyles with a good feel of ask yourself and who intended to reside it to the fullest. in the course of the memoir, the reader involves see the richness of this existence and the satisfaction with which Mahan recollects it.
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Extra resources for No Hill Too High for a Stepper: Memories of Montevallo, Alabama
Whereas i used to be fidgeting with Sam, i used to be requested to play with one other band that was once almost about as contrary as you'll get. It was once the Cofer Brothers Band from Siluria, a rustic band presided over via Duck Cofer, a pal of my father’s. while Duck figured out i used to be fidgeting with Sam, he requested me if i may play bass. I had fooled round with the bass once or twice, which i assumed certified me, so I quick stated, “Yes, sir. ” “Can you pretend? ” Duck requested. i may improvise at the trumpet, so I observed no cause I couldn’t improvise at the bass. “Yes, sir,” I acknowledged optimistically. My first gig with the Cofer Brothers used to be to be the subsequent Saturday evening on the greenback Creek Cotton Mill. I had every week to profit to faux at the bass. I borrowed nation files from Ralph Sears on the university radio station and went over to the school and borrowed a bass mess around. I practiced each day, and by way of the weekend i used to be faking far and wide. This up to whatever certified me for the praise I occasionally was once given: “That Mike is mostly a quickly learn. ” The Cofer band performed a few quickly songs, yet mainly we did sluggish numbers that may clinch dance to. I’d be up there flailing away at the bass, and that i may watch these dancers, bellies jointly and the guy’s leg among the girl’s legs. I knew they have been having fun with it, as i used to be getting a thrill out of it vicariously. I additionally spotted those self same could exit and remain out for some time ahead of they begun again dancing. I had a solid notion the place they'd long past. within the dollar Creek Cotton Mill car parking zone, each person knew you'll see the parked vehicles swaying rhythmically, and in chilly climate the home windows will be steamed up. I performed plenty of dances, either sq. and around, and it was once a gradual resource of source of revenue via highschool and into collage. Like Sam Brown, Duck performed for a lower of the door, and he paid us off after each gig. My favourite track I realized to play whereas i used to be with Sam used to be “Caldonia. ” It used to be so well-liked by the gang that we’d frequently play it two times. Later, while i used to be a pupil at Auburn collage, a fellow named Cunningham shaped a rock and roll band referred to as the Auburn Knights of Rhythm, and after we weren’t taking part in we'd usually visit a black institution known as the Dynaflow membership, which was once close to Tuskegee at the highway among Auburn and Montgomery. anyone may possibly come to the Dynaflow membership, yet its proprietor, Batman Poole, had decreed that to belong you needed to force a Buick Roadmaster with a dynaflow transmission and 4 holes at the entrance fender. 3 holes wouldn’t minimize it. on the Dynaflow membership, i actually discovered to play rock and roll. He’d invite the white boys to hitch them on level. The Dynaflow membership used to be beautiful easy. It used to be a cement block construction painted a gloomy brown, and it had a gravel car parking zone. there has been little or no gentle except at the signal over the door. there has been frequently a $1 hide cost, but if they observed the tools we have been wearing they by no means requested us to pay. inside of, it was once smoky and darkish, with coloured lighting striking down.